Klaustro Sounds is the stage where S O M N I A premiered, a multidisciplinary artistic project born from the collaboration between accordionist Naiara De La Puente and Ecuadorian composer and visual artist Tania Cortés. This project fuses accordion, electronics, and visual arts to create a universe in which the boundaries between the senses are blurred, offering the audience a fully immersive experience within a sonic and visual landscape.

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The program includes world premieres, such as the latest work by Tania Cortés Becerra, along with other selected pieces that evoke a world of archaic sonic reminiscences. These works, performed by Naiara De La Puente both solo and with electronics, are complemented by the visual proposal created by both artists.

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Link to S O M N I A

Stratos Project is a captivating duo formed by cellist Iván Casado and accordionist Naiara De La Puente, both musicians specialized in chamber music.

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With a strong commitment to enriching the current musical landscape, Stratos Project aims to present less conventional repertoire for this instrumentation. Moving beyond temporal or stylistic limitations, they seek to showcase the versatility of original 20th and 21st-century repertoire, as well as to explore transcriptions from other periods that find in the combination of both instruments a perfect medium of expression.

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Link to the audiovisual material: original repertoire and music transcriptions.

Tanguedia Ensemble presents a tribute programme dedicated to the Argentine bandoneon player and composer Astor Piazzolla (1921–1992). This proposal includes some of his most outstanding works, transcribed for a quartet consisting of accordion, piano, violin, and cello.

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Iván Casado – violoncello

Joana Otxoa de Alaiza – piano

Naiara De La Puente – accordion

Víctor Parra – violin

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Link to a audiovisual material, "Soledad". ​

"COLORES SONOROS DE AYER Y DE HOY".​

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This accordion recital brings together transcriptions of works from different periods, combined with the distinctive language of the concert accordion. In this way, the concert accordion emerges on stage as an instrument that transcends eras and borders. This avant-garde instrument becomes the guiding thread of an auditory journey, beginning with Baroque and Romantic organ works by composers such as Johann Sebastian Bach and Léon Boëllmann, and later moving into the original repertoire written for the concert accordion. This includes works by composers from various avant-gardes who explore the sonic and expressive possibilities of the instrument through contrasting aesthetic approaches.

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Link to the audiovisual material.​