CONFERENCES

May 2025: Women in Accordion Symposium. Lecture and panel discussion. Royal Danish Academy of Music, Copenhagen, Denmark.
2019: Lecture-recital at the Sibelius Academy Research Days, Helsinki, Finland.
2018: Lecture-recital at Doctors in Performance Conference (DIP 2018), Lithuanian Academy of Music and Theatre, Vilnius, Lithuania.
2018: Lecture-recital at RAM+SibA Study Day, Royal Academy of Music, London, UK.
2018: Lecture-recital at SAAR 2018 – Scandinavian Academy for Artistic Research, Malmö, Sweden.
2018: Lecture-recital at the 1st Conference on Artistic Research, Royal Northern College of Music, Manchester, UK.
2018: Lecture-recital at ICMuC 2018 – International Chamber Music Conference, Porto, Portugal.
2018: Lecture-recital at the V Conference of Doctoral Students, Tallinn Academy of Music and Theatre, Estonia.
2016: Lecture-recital at Doctors in Performance Festival – the second festival conference of music performance and artistic research, Royal Irish Academy of Music (RIAM), Dublin, Ireland.

PUBLICATIONS

De La Puente Vadillo, N. (2025). An artistry of the concert accordion in contemporary chamber music: A performer’s journey through shaping artistic identity. Trio, 14(1), 102–113. https://doi.org/10.37453/tj.149390

De La Puente, N. (2024). An overview on the artistry of the concert accordion in contemporary chamber music. A performer’s journey through shaping artistic identity (Doctoral thesis). Sibelius Academy of the University of the Arts Helsinki.https://www.researchcatalogue.net/view/2094503/3300674

De La Puente, N. (2019). The accordion. A major instrument in contemporary chamber music. In Chamber music In the XXI century. New perspectives and challenges (pp. 35–41). ESMAE, Porto.

Co-authored articles:

De La Puente, N., De La Puente, I., Llanos, R. (2002). Accordion and its Pedagogic on the Internet. Acordeón siglo XXI, 16, 30–40.

De La Puente, N., De La Puente, I., Gordo, D., Llanos, R., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in Holland. Acordeón siglo XXI, 17, 34–37.

De La Puente, N., De La Puente, I., Gordo, D., Llanos, R., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in Italy. Acordeón siglo XXI, 17, 30–33.

De La Puente, N., De La Puente, I., Gordo, D., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in the United States. Acordeón siglo XXI, 16, 41–43.

De La Puente, N., De La Puente, I., Llanos, R. (2001). Repertoire for accordion in Great Britain. Acordeón siglo XXI, 13, 41–46.

RESEARCH PROJECT

Access Taju Thesis Database

Access the Research Catalogue

Access TRIO journal

CONFERENCES

May 2025: Women in Accordion Symposium. Lecture and panel discussion. Royal Danish Academy of Music, Copenhagen, Denmark.

2019: Lecture-recital at the Sibelius Academy Research Days, Helsinki, Finland.

2018: Lecture-recital at Doctors in Performance Conference (DIP 2018), Lithuanian Academy of Music and Theatre, Vilnius, Lithuania.

2018: Lecture-recital at RAM+SibA Study Day, Royal Academy of Music, London, UK.

2018: Lecture-recital at SAAR 2018 – Scandinavian Academy for Artistic Research, Malmö, Sweden.

2018: Lecture-recital at the 1st Conference on Artistic Research, Royal Northern College of Music, Manchester, UK.

2018: Lecture-recital at ICMuC 2018 – International Chamber Music Conference, Porto, Portugal.

2018: Lecture-recital at the V Conference of Doctoral Students, Tallinn Academy of Music and Theatre, Estonia.

2016: Lecture-recital at Doctors in Performance Festival – the second festival conference of music performance and artistic research, Royal Irish Academy of Music (RIAM), Dublin, Ireland.

PUBLICATIONS

De La Puente Vadillo, N. (2025). An artistry of the concert accordion in contemporary chamber music: A performer’s journey through shaping artistic identity. Trio, 14(1), 102–113. https://doi.org/10.37453/tj.149390

​

De La Puente, N. (2024). An overview on the artistry of the concert accordion in contemporary chamber music. A performer’s journey through shaping artistic identity (Doctoral thesis). Sibelius Academy of the University of the Arts Helsinki.​https://www.researchcatalogue.net/view/2094503/3300674

​​​​

De La Puente, N. (2019). The accordion. A major instrument in contemporary chamber music. In Chamber music In the XXI century. New perspectives and challenges (pp. 35–41). ESMAE, Porto.

​

​Co-authored articles:​

​

De La Puente, N., De La Puente, I., Llanos, R. (2002). Accordion and its Pedagogic on the Internet. Acordeón siglo XXI, 16, 30–40.

​

De La Puente, N., De La Puente, I., Gordo, D., Llanos, R., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in Holland. Acordeón siglo XXI, 17, 34–37.​

​

De La Puente, N., De La Puente, I., Gordo, D., Llanos, R., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in Italy. Acordeón siglo XXI, 17, 30–33.​

​​

De La Puente, N., De La Puente, I., Gordo, D., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in the United States. Acordeón siglo XXI, 16, 41–43.​

​​

De La Puente, N., De La Puente, I., Llanos, R. (2001). Repertoire for accordion in Great Britain. Acordeón siglo XXI, 13, 41–46.

RESEARCH PROJECT

De La Puente, N. (2024). An overview on the artistry of the concert accordion in contemporary chamber music. A performer’s journey through shaping artistic identity (Doctoral thesis). Sibelius Academy of the University of the Arts Helsinki.https://www.researchcatalogue.net/view/2094503/3300674

Co-authored articles:

De La Puente, N., De La Puente, I., Gordo, D., Llanos, R., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in Holland. Acordeón siglo XXI, 17, 34–37.

De La Puente, N., De La Puente, I., Gordo, D., Llanos, R., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in Italy. Acordeón siglo XXI, 17, 30–33.

De La Puente, N., De La Puente, I., Gordo, D., Mugira, L., Olabe, M. (2002). Contemporary Repertoire for Accordion in the United States. Acordeón siglo XXI, 16, 41–43.